Ekin Erkan

philosopher, Editor, and Researcher in New York, NY

Read my articles

Ekin Erkan is a Turkish philosopher who publishes in philosophy of mind and cognitive science, German Idealism (Kant & Hegel), and aesthetics. Below are links to Erkan's recently published work:

"Categorial Inference and Convert Realism: Structuring Ontology Via Nomological Axiomatics", Axiomathes Where Science Meets Philosophy (2021)

"Reason and Experience in Mendelssohn and Kant", International Journal of Philosophical Studies (2021)

"Barwich, A. S. (2020). Smellosophy: What the Nose Tells the Mind", Perception (2021)

"Kant's Transcendental Deduction: A Cosmology of Experience", Philosophy in review 14.1 (2021)

Mentality and Object: Computational and Cognitive Diachronic Emergence", Cosmos and History 16.2 (2020)

A Promethean Philosophy of External Technologies, Empiricism, & the Concept: Second-Order Cybernetics, Deep Learning, and Predictive Processing, Media Theory Journal 4.1 (2020)

Nahum Brown, Hegel on Possibility: Dialectics, Contradiction, and Modality, pli: Warwick Journal of Philosophy 32 (2020)

Freedom, Resentment, and the Metaphysics of Morals by Pamela Hieronymi (review), The Review of Metaphysics 74.1 (2020)

The First Person in Cognition and Morality by Béatrice Longuenesse (review), The Review of Metaphysics 73.4 (2020)

The Inhuman Overhang La Deleuziana 11 (2020)

The First Person in Cognition and Morality, The Review of Metaphysics 73.4 (2020)

Cinema/politics/philosophy New Review of Film and Television Studies (2020)

The Post-Human Media Semblance, Rhizomes 36 (2020)

Post-Continental Naturalism, Rhizomes 36 (2020)

Tristan Garcia’s Electric Ontology, Rhizomes 36 (2020)

Against the Virtual Cosmos and History 16:1 (2020)

Apperceptive Patterning Cosmos and History 16:1 (2020)

From organic subjectivity to internal reality, Radical Philosophy 2.7 (2020)

The Depth Conditions of Possibility", Theory & Event 23.2 (2020)

Jean-Louis Schefer's The Ordinary Man of Cinema, Comparative Cinema 8:14 (2020)

On New Authoritarianism and its Historical Ontology, Barricade (2020).

  • Work
    • The New Centre
  • Education
    • Columbia University
    • University of Cincinnati
    • The New Centre for Research & Practice
What some may not recognize is that this title is a play on “A Certain Tendency of the French Cinema,” by Francois Truffaut – a critique of the pre-New Wave mode of cinema. Keen little critique even at the title – fantastic article and I would expect no less from the likes of Ekin Erkan, one of the most interesting emerging young scholars of philosophy, technology, science and aesthetics
C. Abrams, Harvard University
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